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Freddy, the good-natured pig, promotes a campaign to get Mrs. Wiggins, the cow, elected president of the First Animal Republic. As an officer in the First Animal Bank he has more than a modicum of influence—if he can just figure out how to use it.

• Sales Rank: #625628 in eBooks
• Published on: 2014-12-23
• Released on: 2014-12-23
• Format: Kindle eBook

From School Library Journal
Grade 2-5-Freddy the Pig books by Walter R. Brooks have gone in and out of print for the last 40 years, but he gets a new life with this recording about his time as a politician. Freddy and his farmyard friends on Mr. Bean's farm decide to start the First Animal Bank of Centerboro and the First Animal Republic to show how responsible they are while the Beans are on holiday in Europe. Some of the vocabulary is beyond the level of elementary students today, but by listening to the clear reading of the book, the words can be understood in context. Narrator John McDonough gives each animal a different voice and personality. Each tape is clearly labeled for the chapters included. The audio versions of Freddy the Detective, Freddy the Pilot, and Freddy Goes to the North Pole, also narrated by McDonough, are available from Recorded Books as well.
Nancy A. Gifford, Schenectady County Public Library, NY
Copyright 2002 Reed Business Information, Inc.

Review
Praise for Freddy the Pig:

"Freddy's readers have called him a porcine prince... Walter R. Brook's gentle genius shines even brighter."--Nicholas Kristoff, The New York Times

"At my funeral, in lieu of flowers, I'd prefer that people give money to the Friends of Freddy fan club."--Deirdre Donahue, USA Today

"Freddy is blessed with courage, wit, agility and a Sherlock Holmes-like capacity for detective work."--Newsday

"Freddy's fame is growing--just not on his home turf. With that in mind, we suggest you find one of the books. After a few pages, guaranteed, you'll be proud he's our pig."-- Syracuse Post Standard

"The American version of the great English classics such as the Pooh books or The Wind in the Willows."--The New York Times Book Review

"[Walter Brooks'] prose was simple but elegant, without being dumbed down, and that the characters weren't plaster saints. Freddy was a bit lazy, a little vain, and not much of a house--uh, penkeeper. But the spirit of the stories was like the spirit of the Bean Farm's animals--kind, amiable, and clever."--The American Culture Blog

About the Author
Walter R. Brooks is the beloved author of 26 books about Freddy the Pig. Born in Upstate New York, he attended the University of Rochester before going on to work with the American Red Cross and editing for magazines, including New Yorker.

Most helpful customer reviews

17 of 17 people found the following review helpful.
One of the best, but probably most challenging, Freddy books
By A Customer
I have read now seven or eight Freddy books with my six year old son. In terms of story and language, some have been very engaging and well written, and some not. Occasionally, these books have more sophisticated themes, and have introduced my son to new ideas such as the power of the press, and the justice system.
Freddy the Politician was one of these, and likely the most sophisticated (keeping in mind that we are dealing with books about talking farm animals) of the series. It was written during WWII, but well before the US became involved. This background is very apparent once the story hits its stride.
The animals decide to set up a bank, and then to form the First Animal Republic. In setting up the bank, they feel that it needs a sober and worldly president, so that it will be a credible institution. John Quincy Adams, a woodpecker visiting from Washington DC, seems to fill the bill and takes the position.
Soon, John Quincy has brought in his father, Grover, to run for president of the FAR, and sinister plans are afoot. The election has everything: manipulation of voters lists, ballot fraud, insincere election promises, pork barrel, you name it. When these fail to win him the election, Grover takes power by coup.
Overnight, he is arresting his political enemies, annexing the Sudetenland - I mean, the neighbouring farms, and seeking world domination.
How is that for a tense story line in a kids book?

5 of 5 people found the following review helpful.
a Freddy classic
By A Customer
Gosh. I don't see how anyone can give "Freddy the Politician" less than 5 stars. Freddy's "dropping in" to the board meeting at the bank -- Mrs. Wiggins' wonderful advice about the uses of laughter -- Bertram the robot going beserk and grabbing his own operator's tailfeathers -- it's all vintage Freddy. How great to have this classic back in print. Be sure to buy an extra for your local library when you buy one for yourself.

0 of 0 people found the following review helpful.
I know that many adults - my son and I included - enjoy the stories as well
By Grandma E
Although the Freddy books are considered children's literature, I know that many adults - my son and I included - enjoy the stories as well. Some of the books have been birthday or Christmas gifts for a now 15 year old grandson who has enjoyed the stories for several years. He's always delighted to receive a Freddy book.

See all 11 customer reviews...

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USA TODAY BESTSELLER

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Learn how to obtain financial freedom through real estate. The final book in Gary Keller’s national best-selling Millionaire Real Estate Investor trilogy teaches the proven, reliable real estate investing process to achieve financial wealth:

1. Find – the right property for the right terms and at the right price.

2. Analyze – an offer to make sure the numbers and terms make sense.

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• Sales Rank: #21049 in Books
• Published on: 2012-10-04
• Released on: 2012-10-04
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .80" w x 7.20" l, 1.10 pounds
• Binding: Paperback
• 320 pages

About the Author

Steve Chader contributed to both The Millionaire Real Estate Agent and The Millionaire Real Estate Investor. He has been investing in real estate since the 1970s with his father and grandfather as his first partners. Since then, Steve' has partnered with Jennice Doty to build a thriving real estate investment business with both residential and commercial income properties.
Jennice Doty, co-author of HOLD, has been in the real estate industry since 1979. Together with investment partner Steve Chader, Jennice has built a successful career, providing management services for more than 1,000 residential homes and 35 commercial properties.
Launching a longstanding career in real estate investing was not what Jim McKissack, HOLD co-author, had in mind when he and Linda―his wife and investment partner―bought their first investment property in 1991. The first investment was far from successful, but taught them many lessons, which they used to make the property cash flow. Today, Jim and Linda head a real estate enterprise that encompasses 79 single-family homes, 6 commercial buildings, 2 multifamily structures, 6 vacation rental cabins and 5 real estate franchises spanning three states, all with an annual cash flow of more than $1 million.
Linda McKissack is a Realtor, entrepreneur, author, and public speaker who began her real estate career in the 1980s. Linda has built a successful team, which includes her husband Jim, that has sold more than $40 million in volume. The HOLD co-author has also made a career of helping others by sharing her successes in order for them to increase their revenue and grow their businesses.

Most helpful customer reviews

71 of 78 people found the following review helpful.
A lot of book for so little information.
By Anthony P. Libri
This is one of many books that is about real estate investing. Although well written it is not jam-packed with information. So many times successful authors really connect with a great book, then they do a follow up book hoping to have repeat success. This book is one of those types of books The author takes a short subject and stretches it into a book. In fact, I believe this is one of three books in this series. This book uses a lot of paper to give you a little bit of information. Here is the book in a nutshell...You make money when you buy property not when you sell it... So hold it!

17 of 17 people found the following review helpful.
If you're looking for a Real Nuts and Bolts book and how to get started in investing in Real Estate, this is it
By Ron Sudman
This book is simple and something you can implement immediately. Most investment books give you a PHD but you never implement it, so what good is that. Implementation is 80% of the challenge especially with investing. It's easy to follow and understand from the investor who is starting today for the first time, to the sophisticated investor of many years. You don't need all the bells and whistles you need something simple and something that you can use and implement right NOW. I've been an investor for 30 years and a Broker/Agent and this is the E-ticket for investing in Real Estate. It's something you can wrap your head around immediately. You can tell the people who wrote this book have done it themselves and they’re not just talking about it to sell books. That’s very refreshing to see in today's world of Real Estate investing.
Ron Sudman
Broker/Investor
Newport Beach, CA

18 of 20 people found the following review helpful.
Great book for the library
By Blair A. Russell
If you are interested in this kind of real estate investment than this book is great. I would not call it all encompassing though, it is definitely lacking in some areas, but it still has great tips and information for beginners. I would say it focus more on the financial side then the day to day practices, but it does explain the financial really well. Like I said add it to the library but don't rely solely on it.

See all 86 customer reviews...

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Positive Psychology,  is designed to serve as a primary text for an undergraduate college course in positive psychology.  Consistent with the “nuts and bolts” presentation of positive psychology, in many places throughout the book the authors provide detailed coverage of  individual research studies, methodological issues and theoretical controversies. 

• Sales Rank: #174548 in Books
• Brand: Baumgardner, Steve R./ Crothers, Marie K.
• Published on: 2008-10-04
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 1.00" w x 8.00" l, 1.57 pounds
• Binding: Paperback
• 338 pages

From the Back Cover

Pearson’s MySearchLab is the easiest way for students to master a writing or research project.  In a recent student survey, the overwhelming majority of students are assigned writing and research projects, for which they would use research and citation tools if they were available to them.  MySearchLab is a website available at no additional charge in a package with a Pearson textbook and is also available as a standalone product.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I love it
By JPL
Very nice it work out much better then what expected i have it at 2100 RPM witch in watts is 490w. Amps is about little less than 5 amp at 230v. Sigle face. I love it.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Need it for school

13 of 16 people found the following review helpful.
A student's review of the textbook.
By Sir Captain Noobhead
I have to offer a counterpoint compared to Mr Baumgardner's self review of this textbook.

I am a third year psychology student at a university located in the midwest. We use this book as our standard text in our 400-level course on positive psychology. Over the course of this semester, I have read this book cover to cover and used it extensively to study for tests, etc.

Let's start with the positives.
1) This textbook has excellent organization, the topics are very distinct, and the headings and subheadings let you know exactly what each section and paragraph is going to be about.
2) Many studies are talked about extensively, and this book is very good for research purposes. The author has a very good handle on scientific method, and certainly knows what he is talking about.
3) The bolded vocabulary words are very helpful and gives a recap of important concepts.

Now the negatives.
1) I'll flat out say it. This book is very dry. Even though it's supposed to be a book on "positive" psychology, I often felt bored and miserable while reading through it. While it is very informative, I feel that most sections are simply -- describe a concept, and talk about three or four different studies and give evidence, etc. The main point of the book is not to convince students that the concepts are true, we don't doubt that. However, ideas and theories should be taught in a way that they become relate-able. I highly recommend following the style of Robert Cialdini's Influence, which tries to teach concepts in the form of interesting stories, examples, and anecdotes.
2) Put some pictures, charts, graphs and colours in the book! The majority of the 300+ pages of this book is in black and white text. I know we are college students, but some formatting and visuals would make this book much more interesting.
3) This text is very wordy. A lot of the concepts can be described using a third of the words. An idea should be presented once and clearly communicated as opposed to repeated in convoluted ways three or four times.

Overall, this book teaches some very relevant ideas and concepts on positive psychology, but the presentation is lackluster and bland. I look forward to future editions of the book when some of these issues can be addressed.

See all 17 customer reviews...

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Until the mid 18th century, armies still move by monolithic mass, slow to maneuver and slow to deploy; it is difficult to throw at the enemy. Indeed, while they put themselves in battle array, it has time to escape. Risking battle is risking everything. One pound with the certainty of defeat, otherwise we dodge. Where multiple maneuvers, scholarly and prim, sometimes sophisticated. We can even, by these maneuvers, forcing the opponent without a fight. Maurice de Saxe wrote a skillful general may avoid battle throughout life.

• Sales Rank: #5342874 in Books
• Published on: 1976
• Original language: French
• Number of items: 1
• Binding: Hardcover

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[G153.Ebook] Ebook Download Super Minds Level 3 Student's Book with DVD-ROM, by Herbert Puchta, Günter Gerngross, Peter Lewis-Jones

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• Sales Rank: #1466150 in Books
• Published on: 2014-07-28
• Formats: Student Edition, International Edition
• Original language: English
• Number of items: 1
• Dimensions: 10.87" h x .24" w x 8.62" l, .93 pounds
• Binding: Paperback
• 128 pages

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[M715.Ebook] Get Free Ebook Walt Disney: The Triumph of the American Imagination, by Neal Gabler

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The definitive portrait of one of the most important cultural figures in American history.

Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life.

• Sales Rank: #40139 in Books
• Brand: Brand: Vintage
• Published on: 2007-10-09
• Released on: 2007-10-09
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.80" w x 6.10" l, 2.51 pounds
• Binding: Paperback
• 912 pages

Features

• Used Book in Good Condition

Amazon.com Review
Neal Gabler's meticulously researched biography, Walt Disney offers the full story (Gabler is the first writer to gain complete access to the Disney archives) of the American icon. Readers will discover the whole story, witnessing Disney's invention of a "synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise." What fans don't know could fill a book (this book in fact), and we asked Gabler to point out a few of the juicy bits. Read our interview with him, and his "10 Things That May Surprise You" list below. --Daphne Durham

10 Second Interview: A Few Words with Neal Gabler

Q: Why Walt Disney?
A: When you write about someone as grandiose as Walt Disney, you may tend to get a little grandiose yourself, so forgive me. But I had always set the task for myself to examine the forces that helped define American culture in the twentieth century and those individuals who might be regarded as the architects of the American consciousness. Walt Disney was certainly one of those forces and one of those architects. His visual sensibility is arguably one of the two most important in the last century, along with Picasso's, yet Picasso has received dozens of biographies and Walt Disney had, when I began, not received a single full-scale, fully-annotated biography. I wanted to fill that gap in our cultural studies. I thought that if one could understand Walt Disney, one could go a long way to understanding American popular culture.

Q: One thing that strikes you when reading the book is that Walt Disney never had any money. With all his success how is that possible?
A: It is astonishing that Walt Disney was always--and I do mean always--in dire financial straits until the opening of Disneyland. The primary reason wasn't that his cartoons weren't making money, because they were--at least until the war in Europe when the loss of that market meant disaster for the features. But even as they were making money, the studio was losing money because Walt was constitutionally incapable of cutting corners, enforcing economies, laying off staff. The only thing about which Walt Disney cared was quality. He thought that quality was the way to maintain his preeminence, though quality also had the psychological advantage of letting him perfect his world. The problem was that quality was expensive. To cite just one example, Walt spent more than a hundred thousand dollars setting up a training program for would-be animators, though even then the return was small because Walt was so picky that very few of the candidates actually qualified to work at the studio. Money meant very little to Walt Disney. It was only a means to an end, never an end in itself.

Q: When did Walt first conceive of the idea for Disneyland and what were the initial reactions to the idea?
A: It is very difficult to determine exactly when Walt hatched the idea for Disneyland, though he seems to have been thinking about it for a long time, at least since the early 1930s. Certainly by the time he was taking his daughters, Diane and Sharon, to amusement parks on Sunday afternoons in the late 1940s, he had formulated the idea to establish a park that was clean and wholesome and where parents wouldn't be afraid to take their children. The original plan was to build the park on a plot adjacent to the studio in Burbank, where there would be a train, a town square, an Indian village and kiddieland rides, but as Walt's ideas expanded, so did the need for a bigger plot. As for the reactions to his idea, Roy was initially reluctant, as usual, and Walt's wife, Lillian, was firmly opposed, though she had also been opposed to his making Snow White. Still, Walt exaggerated the opposition as a way, I think of elevating his own foresight and determination. In fact, as the plan grew closer to realization, corporations sought to be included as lessees, and even banks, that had been skeptical, became more receptive. When the park opened, it was an instant success.

Q: What do you think has been Walt's most lasting impact/legacy on American culture?
A: One could answer this question in a dozen different ways depending on one's priorities, but I think his largest bequest is a matter of the American mind. Walt Disney helped change the national consciousness. He got people to believe in the power of wish fulfillment--in their own ability to impose their wills on a recalcitrant reality. That's what Walt Disney did all his life. He managed to replace reality with his illusions--what some people now refer to disparagingly as Disneyfication. He sold us on the idea of control because Walt Disney was himself a master of control. We see the results everywhere--from film to theme parks to virtual reality to virtual politics.

You Don't Know Disney: 10 Things That May Surprise You

1. He is not frozen. His body was cremated, and his ashes are interred at the Forest Lawn Cemetery in Glendale, California, near his studio.
2. Mickey Mouse's original name allegedly was Mortimer but Disney's wife Lillian objected because she thought it too "sissified."
3. Some of the names originally considered for the dwarfs in Snow White were: Deafy, Dirty, Awful, Blabby, Burpy, Gabby, Puffy, Stuffy, Nifty, Tubby, Biggo Ego, Flabby, Jaunty, Baldy, Lazy, Dizzy, Cranky and Chesty.
4. Walt Disney suffered a nervous breakdown in 1931 and descended into depression after the war, concentrating his attention on model trains rather than on motion pictures.
5. Fantasia was the result of a chance meeting between Walt Disney and symphony conductor Leopold Stokowski at Chasen's restaurant.
6. During World War II the Disney studio became a war factory with well over 90% of its production in the service of government training, education and propaganda films.
7. The studio stopped production for six months on Pinocchio because Walt felt the title character wasn't likable enough. During this time he devised the idea of introducing Jiminy Cricket as Pinocchio's conscience.
8. Walt Disney received more Academy Awards than any other individual--32.
9. Disney modeled Mickey Mouse on Charlie Chaplin and that Chaplin later assisted the Disneys by loaning them his financial books so they could determine what kind of proceeds they should be getting from their distributor on Snow White.
10. MGM head Louis B. Mayer once rejected the opportunity to distribute Mickey Mouse cartoons shortly after Walt had invented the character because Mayer said that pregnant women would be frightened by a giant mouse on screen.

From Publishers Weekly
Starred Review. Few men could be said to have as pervasive an influence on American culture as Walt Disney, and Gabler (Winchell) scours the historical record for as thorough an explanation of that influence as any biographer could muster. Every period of Disney's life is depicted in exacting detail, from the suffering endured on a childhood paper route to the making of Mary Poppins. The core of Gabler's story, though, is clearly in the early years of Disney's studio, from the creation of Mickey Mouse to the hands-on management of early hits like Fantasia and Pinocchio. "Even though Walt could neither animate, nor write, nor direct," Gabler notes, "he was the undisputed power at the studio." Yet there was significant disgruntlement within the ranks of Disney's employees, and Gabler traces the day-to-day resentments that eventually led to a bitter strike against the studio in 1941. That dispute helped harden Disney's anticommunism, which led to rumors of anti-Semitism, which are effectively debunked here. At times, Gabler lays on a bit thick the psychological interpretation of Disney as control freak, but his portrait is so engrossing that it's hard to picture the entertainment mogul playing with his toy trains and not imagine him building Disneyland in his head. 32 pages of photos. 100,000 first printing. (Nov. 6)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Neal Gabler, who penned a well-received biography of journalist Walter Winchell and An Empire of Their Own: How the Jews Invented Hollywood, among other books, is the first writer to have complete access to the Walt Disney archives. Much of that wealth of information makes its way into this hefty tome. At nearly 900 pages (including 200 pages of notes), the author risks losing all but the most devoted Disney fans. Gabler uses engaging prose, numerous anecdotes, and firsthand accounts of the events of Disney's life, however, to balance the more mundane details about production budgets and the day-to-day workings of Disney's empire. For the most part, Gabler succeeds. The book works best when he focuses on Disney's often contradictory and mercurial character.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

99 of 112 people found the following review helpful.
Look Auntie! They're Paying me to Draw Pictures! They're Paying me to Draw Pictures!
By Nancy Beiman
Walt Disney has become a legendary character of the twentieth century. So much was written about him, and so much was inaccurate, that the legends often attained a currency that was not deserved. How many times have we heard that he was frozen? Gabler (who was the first of Walt's biographers to work with rare Disney family records) opens the book with this statement (it's not true.)

The truth is much more interesting than that.

Disney was an optimistic, hardworking go-getter with an astounding capacity for concentration who fell in love with the early twentieth century's high technology--motion pictures. Motion pictures drawn by hand.

He had the perseverance to start over again every time he failed artistically and financially. And fail he did. This is one of the most unlikely success stories ever told, since the Disney Brothers studio was working in a marginal field (animation) in a minor city (Kansas, then Hollywood, when the animation studios were all in New York), and attempting to make it as an independent producer just as the big studios were forming, eliminating independent competition in all but a few areas by 1928.

He made it because he had the unfashionable idea that quality would out, he had a tremendous amount of luck and he knew how to make appealing entertainment(Mickey Mouse was NOT the first successful character he created). Disney also had a real genius for hiring talented people. A surprising number of remarkable artists started with him in Kansas City, others were trained right on the studio lot.

Mr. Gabler's book is readable and contains much new information. Who would have thought that Charlie Chaplin was, at one time, Snow White's Prince? Chaplin, one of the few independent producers left by 1936, loaned his books for MODERN TIMES to the Disneys to help them ask fair prices for their landmark feature. For Disney's weak spot was running the business--he once actually forgot to add on the profit to the budget for a job in Kansas City, and was forced to work for cost of materials, with no salary for him or his animators! The 1941 strike by his artists was seen as a personal betrayal--but this strike can be predicted when you read about that early project. The Dream was the goal but (as an old cartoon states) coal is still somewhat important. Disney had his head in the clouds, and his brother Roy, who played the father's role to his sibling since childhood, was a major reason why Walt's feet were kept on the ground. It was a fine parntership and this is really a dual biography.

The truth about Disney is not sensational or scandalous--just refreshing after decades of inaccuracy and outright fabrication that somehow passed for fact.

The weakest part of the book is Gabler's attempts to psychoanalyze Walt's obsession with animation production as a desire to control his world. Of course he controlled his world. This is what all artists do. We animators love creating characters that APPEAR to think and move for themselves. They are really just an expression of our own sentiments and desires; we create life. That's what animation means. It's wonderful being able to control every aspect of the film's production-to be leading man, leading woman, and sets as well! Disney is hardly exceptional in this respect and the psychological insights don't ring true for me.

As one other animator told me, Disney was remarkable because 'he was the only man in the world who ever got 500 artists to work together in one building without KILLING each other!"

Buy this book.

185 of 217 people found the following review helpful.
Not exciting but lots of data - and many errors...
By Hans Perk
Having collected and read about Walt Disney and animation for 30+ years, I found that the only proper way to read Gabler's biography is as follow-up to the great book by Michael Barrier, "An Animated Man", also available on Amazon. Barrier gives the structure of Walt's life as centered on Walt's true loves: his animation and his parks. While Barrier's book is a very pleasant read, and gives insight in what made Walt tick. As a contrast, Gabler recites data as if it was a class in Latin and represents Walt as a kind of nut. Gabler clearly neither likes nor understands Walt. He also has no knowledge of--or love for--the medium of animation, and he keeps talking of Walt's "animations," an expression that is only used by people who have no idea what they are talking about. But he did have access to the Archives, and thus some things are only to be found in his book. There are many, many factual errors in Gabler's book. A huge list can be found on Barriers's site (Google "GablerErrata"). And as a final note, on that same site, one can read that Diane Disney Miller herself thinks the Gabler book is a gross misrepresentation of her father (Google "Diane_On_Gabler"). So buy both books, read Barrier first, then Gabler, and then make up your own mind!

24 of 26 people found the following review helpful.
It was never really about the money...
By J. Green
...well, almost never. Walt Disney was always more interested in "the next thing," and making money on a venture was usually just a way to finance his projects. Initially drawn to drawing and animation but burned by dishonest partners, he created his own studio to produce animated "shorts" - short Mickey Mouse and Silly Symphony cartoons shown before regular feature movies. But he was always pushing for better animation and better quality, eventually creating "Snow White," the first feature-length animated movie, with the best quality animation for the time. But even then, he wasn't breaking even and eventually had to cut corners just to pay the bills, and some movies were made purely to generate income ("Dumbo" and some of the live-action movies). As Walt became bogged down in the studio and trying to make too many movies at once and always striving to create something bigger or better (realism in "Bambi" and high-class art in "Fantasia"), plus with WWII forcing him to rely on government work just to keep going, he became discouraged and turned his attentions elsewhere. As a result, the animation that was once the top in the industry lost it's edge, and Walt became more interested in trains and eventually television and Disneyland. In the end though, Walt left a legacy of memorable characters and family-friendly entertainment.

A very enjoyable biography about one of the most influential people of the 20th century and our present-day culture, although it often bogs down in too much detail about finances. I was surprised that he was always financially strapped and borrowing wherever he could until after Disneyland. But it was especially interesting while reading the book to go back and watch some of the movies, like "Three Little Pigs" and "Snow White" (which I had never really cared for before) and compare the styles, knowing what went into them and what made them great. I even visited Disneyland after reading about it in the book, and noticed some of the details I hadn't before. It certainly gave me a new appreciation for some of the Disney movies, even if he wasn't particularly involved in some of my favorites. But I was also surprised to learn that the genius behind "the happiest place on earth" usually wasn't a very happy man himself. Mr. Gabler describes Walt's constant need to create "control" in his surroundings that drove his efforts at perfection. Animation, his trains, and Disneyland each in turn provided his escape from reality into an environment where he had near-total control.

Most books about Walt Disney either paint him as a saint or an evil tyrant, and I guess he was both. Gabler is careful to point out where the "legends" were embellished, and that "Walt Disney" became more of a brand than a man, but in my opinion he portrayed him fairly and honestly. He didn't shy away from his faults, telling about his ego and the complaints many of his employees had, but he also honestly tried to tell why he did what he did and what motivated him. In the end, if you're looking for a book that only tells the good things or only the bad things, this book will leave you a bit disappointed. But if you want a fair biography that not only documents his numerous accomlishments but shows that he was as human as all of us, I think you'll enjoy this. I did.

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