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In 1978, determined to combat fraud, waste, and abuse in government programs, Congress overwhelmingly approved the creation of special Offices of Inspectors-General (OIGs) in many federal departments. Moore and Gates here provide the first evaluation of this important institutional innovation. Clearly and objectively, they examine the powerful but often imprecisely defined concepts—wastefulness, accountability, performance—that underlie the OIG mandate. Their study conveys a realistic sense of how these offices operate and how their impact is affected by the changing dynamics of politics and personality.

A Volume in the Russell Sage Foundation's Social Science Perspectives Series

• Sales Rank: #5498633 in Books
• Published on: 1986-12-07
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 5.75" w x .50" l, .45 pounds
• Binding: Paperback
• 130 pages

About the Author

MARK H. MOORE is Hauser Professor of Nonprofit Organizations at the Harvard Kennedy School of Government

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[U247.Ebook] Free Ebook The Two Ages : Kierkegaard's Writings, Vol 14, by Soren Kierkegaard, Howard Vincent Hong, Edna H. Hong

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After deciding to terminate his authorship with the pseudonymous Concluding Unscientific Postscript, Kierkegaard composed reviews as a means of writing without being an author. Two Ages, here presented in a definitive English text, is simultaneously a review and a book in its own right. In it, Kierkegaard comments on the anonymously published Danish novel Two Ages, which contrasts the mentality of the age of the French Revolution with that of the subsequent epoch of rationalism.

Kierkegaard commends the author's shrewdness, and his critique builds on the novel's view of the two generations. With keen prophetic insight, Kierkegaard foresees the birth of an impersonal cultural wasteland, in which the individual will either be depersonalized or obliged to find an existence rooted in "equality before God and equality with all men."

This edition, like all in the series, contains substantial supplementary material, including a historical introduction, entries from Kierkegaard's journals and papers, and the preface and conclusion of the original novel.

• Sales Rank: #3319371 in Books
• Brand: Brand: Princeton University Press
• Published on: 1978-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x .69" w x 5.84" l, .80 pounds
• Binding: Hardcover
• 208 pages

Features

• Used Book in Good Condition

Review
"These new translations are excellent."--Choice

"The definitive edition of the Writings. The first volume . . . indicates the scholarly value of the entire series: an introduction setting the work in the context of Kierkegaard's development; a remarkably clear translation; and concluding sections of intelligent notes."--Library Journal

Language Notes
Text: English, Danish (translation)

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13 of 14 people found the following review helpful.
SKs strongest defense of the individual against society.
By doctordruidphd
What begins as a critique of Gyllembourg's "Two Ages" developes into Kierkegaard's most powerful examination of the confrontation between individuality and society. Chapter Three is, as far as I know, THE definitive existentialist manifesto of human individuality and its constant battle against being swallowed up by the mindlessness of modern culture. In a critique that is especially applicable in today's culture of mass media, body-babble and relationship-babble, Kierkegaard shows how conscious individuality is drained out of the individual by chatter and leveling. When the innermost private matters of the individual become public, then individuality loses its meaning, human consciousness collpases, and we have "the present age... relaxing in indolence." This is nowhere more clearly seen that in the present-day "talk shows", where the innermost private matters of the individual are bared for public consumption with all the tact of a street corner flasher. Kierkegaard's analysis, over 150 years old, is more relevant than ever in today's culture. If you are sick of hearing about "relationships", this book is a must. It is worth every penny, and may well be the most important book you will ever read.

1 of 1 people found the following review helpful.
There is a paperback edition!!!
By Orson Welles
The much lessexpensive paperback edition has a slightly different title and so may not have been linked on this page (also, the paperback came out in 2009, 21 years after the hardcover came out.

Kierkegaard's Writings, XIV: Two Ages: "The Age of Revolution" and the "Present Age" A Literary Review (Paperback)

[...]

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Chilean architect Alejandro Aravena (born 1967) founded Elemental in 2001 in Santiago with the goal of directly alleviating social deprivation. This publication documents the social activity and history of the international architectural team and sheds light on its financing strategies, such as participatory building and projects devoted to infrastructure and transportation.

• Sales Rank: #1424227 in Books
• Brand: Brand: Hatje Cantz
• Published on: 2013-02-28
• Original language: English, Spanish
• Dimensions: 9.75" h x 7.00" w x 1.50" l, 3.15 pounds
• Binding: Paperback
• 512 pages

Features

• Used Book in Good Condition

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2 of 3 people found the following review helpful.
Unique alternatives to social housing.
By Juan Espinoza
This is by far one of the best books on social housing. Unlike other books that offer utopian concepts for solving issues common with social housing, this book goes in depth to explain theoretical concepts taken to practice.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
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Here is a book that is truly quietly deeply subtle. It appears to operate along the lines of here is how one thing follows another; it appears to rely on anticipated cause and effect to spring us forth from one fraction of a split second’s thought to the next. There are many and then actions in this book. What follows comes as a surprise sometimes even when it shouldn't. For instance, at one poem’s conclusion it says: An archer shoots. That’s what an archer does. And this is astonishing. And then it is almost heartbreaking and then one must do a double take and then there is poetry. ―Dara Wier A few rare holdouts to the contrary, American culture is loud, unsubtle, insensitive, needy, exhausting, cheaply convenient, unreflective, and above all, distracted. What has been happening behind the scenes during all the years we haven’t been paying attention? What world have we given ourselves and what have we given up in that shallow exchange? Such observations are deeply implied by the poems in Seth Abramson’s Thievery. At the bottom of this book is the sense that we’ve been ripped off and don’t even know it yet. That we have allowed it has left us stunted, morally and spiritually, with no greater sense of wonder than a Styrofoam cup. Abramson is not preaching, however: he is telling the melancholy, lonely truth.―Maurice Manning

• Sales Rank: #2851674 in Books
• Published on: 2013-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .25" w x 6.00" l, .35 pounds
• Binding: Paperback
• 80 pages

About the Author
A graduate of Dartmouth College, Harvard Law School, and the Iowa Writers' Workshop, Seth Abramson is the author of two previous collections of poetry, Northerners (Western Michigan University Press, 2011), winner of the 2010 Green Rose Prize from New Issues Poetry & Prose, and The Suburban Ecstasies (Ghost Road Press, 2009). Presently a doctoral candidate (ABD) in English Literature at University of Wisconsin-Madison, Series Co-Editor for Best American Experimental Writing (forthcoming from Omnidawn in 2014), and a contemporary poetry reviewer for The Huffington Post, he has published work in numerous magazines and anthologies, including Best New Poets (University of Virginia Press, 2008), Poetry of the Law (University of Iowa Press, 2010), AGNI, American Poetry Review, Boston Review, Colorado Review, Harvard Review, jubilat, New American Writing, and Poetry. In 2008, he was awarded the J. Howard and Barbara M. J. Wood Prize by Poetry.

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1 of 1 people found the following review helpful.
A quiet insistence that transports mind and spirit
By onze
Whatever your understanding of spirit - ephemera, igniting force, divine guidance - these pages go there.

This poetry eludes me even as it grabs me by the throat:

I mean the small strummed cord
in the slit in your back.
The shape of the thing that crushes you.

I am not ready to say why it is important to me, but I will tell you I have read it twice through and once more just opening it page by page.

3 of 5 people found the following review helpful.
reveals the reader to himself as if for the first time
By John Michael Albert
Seth Abramson is a superb modern poet. Deservedly, his poetry appears in many fine journals. And he proven a champion of modern poetry and MFA programs in superbly written essays that can easily be researched on the net. Seth is the real things. I've carefully followed his work since a friend pointed out a poem of his in Poetry magazine. I included several of his poems in an anthology I edited called The Poets' Guide to New Hampshire. So, if you're inclined to question praise, there are my disclaimers.

His new book, Thievery, is a strong successor to Suburban Ecstasies and Northerners. Suburban Ecstasies, as the title might hint, was a gorgeous paean to language at its most opulent, its most gorgeous, its most generous. Northerners followed with a book that demonstrated Abramson's virtuosity in several argots, from that of the down-and-outs he might have represented in his days as a public defender in Manchester NH to the academic elite he rubs shoulders with in pursuit of his calling. Thievery, in turn, is a rich exploration of colloquial speech, with a Shakespearian sort of twist. The poems here ennoble the common man, elevate what he has to say and how he says it, to the level of earnest discourse. Ultimately, it all boils down to what it means to be human, how to fill the great gap of time between birth and death, and how to meet the causal and accidental challenges encountered along the way. Abrahmson has a keen ear for the music in speech. The reader is often carried along on a wave of energy that helps him follow the larger meaning of a monologue or a dialogue as it folds over and over itself.

I can only add that, on many occasions, while reading individual poems in this book (and immediately re-reading them), I recognized myself on very specific occasions in my life. I'm still trembling from reading "The Fire Door." What a surprise! And how precisely Seth's craft accomplishes exactly what poetry is supposed to do when it is at its best: reveal the reader to himself as if for the first time.

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